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đŸŒēđŸŒēāύāĻŦāĻĻ⧁āĻ°ā§āĻ—āĻž (āϕ⧁āĻˇā§āĻŽāĻžāĻ¨ā§āĻĄāĻž )đŸŒēđŸŒē

đŸŒē āύāĻŦāĻĻ⧁āĻ°ā§āĻ—āĻž – āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻž (ā§Ē) đŸŒē

 

āϚ⧈āĻ¤ā§āϰ/āφāĻļā§āĻŦāĻŋāύ āĻŽāĻžāϏ⧇āϰ āύāĻŦāϰāĻžāĻ¤ā§āϰāĻŋāϰ āĻļ⧁āĻ•ā§āϞāĻž āϚāϤ⧁āĻ°ā§āĻĨā§€ āϤāĻŋāĻĨāĻŋāϤ⧇ āĻĒāĻžāĻ°ā§āĻŦāϤ⧀ āĻŽāĻžāϤāĻžāϰ āύāĻŦāĻĻ⧁āĻ°ā§āĻ—āĻžāϰ⧂āĻĒ⧇āϰ āĻ…āĻ¨ā§āϤāĻ°ā§āĻ—āϤ āϚāϤ⧁āĻ°ā§āĻĨāϰ⧂āĻĒ⧇āϰ āφāϰāĻžāϧāύāĻž āĻ•āϰāĻž āĻšāϝāĻŧ āϝāĻž āĻĻ⧇āĻŦā§€ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻž āύāĻžāĻŽā§‡ āĻĒāϰāĻŋāϚāĻŋāϤ āĨ¤

 

āφāĻĻāĻŋāĻļāĻ•ā§āϤāĻŋ āĻļāĻŋāĻŦāĻžāϰ āĻšāĻŋāϰāĻŖā§āϝāĻ—āĻ°ā§āĻ­āĻž āĻ¸ā§āĻŦāϰ⧂āĻĒāχ āĻšāϞ – āĻĻ⧇āĻŦā§€ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāĨ¤

 

āϕ⧁ āĻļāĻŦā§āĻĻ⧇āϰ āĻ…āĻ°ā§āĻĨ āĻšāϞ – āϛ⧋āϟ, āωāĻˇā§āĻŽāĻžāϰ āĻ…āĻ°ā§āĻĨ āϤāĻžāĻĒāĨ¤ āĻĻ⧁āĻ°ā§āĻŦāĻŋāώāĻš āĻ¤ā§āϰāĻŋāϤāĻžāĻĒ āĻšāϞ āϕ⧁āĻˇā§āĻŽāĻž, āϝāĻŋāύāĻŋ āĻāχ āĻ¤ā§āϰāĻŋāϤāĻžāĻĒ āύāĻŋāĻœā§‡āϰ āωāĻĻāϰ⧇ āĻŦāĻž āĻ…āĻŖā§āĻĄā§‡ āϧāĻžāϰāĻŖ āĻ•āϰ⧇āύāĨ¤ āĻ…āĻ°ā§āĻĨāĻžā§Ž āϤāĻŋāύāĻŋ āĻ¤ā§āϰāĻŋāϤāĻžāĻĒ āϤāĻĨāĻž āφāĻ§ā§āϝāĻžāĻ¤ā§āĻŽāĻŋāĻ•, āφāϧāĻŋāĻĻ⧈āĻŦāĻŋāĻ• āĻ“ āφāϧāĻŋāϭ⧌āϤāĻŋāĻ• āĻĻ⧁āσāĻ–āϕ⧇ āĻšāϰāĻŖ āĻ•āϰ⧇ āύ⧇āύāĨ¤

 

āĻļāĻŋāĻŦāĻž āĻĻ⧇āĻŦā§€ āϤāĻžāϰ āĻāχ āϰ⧂āĻĒ⧇ āϜāĻ—ā§Ž āϏ⧃āĻˇā§āϟāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āϤāĻžāχ āϤāĻŋāύāĻŋ āĻāχ āĻŽāĻšāĻžāĻŦāĻŋāĻļā§āĻŦ⧇āϰ āĻ¸ā§āϰāĻˇā§āϟāĻž āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒā§‚āϜāĻŋāϤāĻž āĻšāύāĨ¤ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻž āĻĻ⧇āĻŦā§€āϰ āϰāϝāĻŧ⧇āϛ⧇ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻĻāĻŋāĻŦā§āϝ āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ āĻāĻŦāĻ‚ āĻ…āύāĻ¨ā§āϝ āύāĻŋāĻ°ā§āĻŽāϞ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāĻ¸ā§āϝ āĻŦāĻĻāύāĨ¤ āϤāĻžāϰ āϰ⧂āĻĒ āĻ“ āϏ⧁āĻ¨ā§āĻĻāϰ āĻšāĻžāϏāĻŋ āĻĻāĻŋā§Ÿā§‡ āϏāĻŽāĻ—ā§āϰ āĻŦāĻŋāĻļā§āĻŦ⧇āϰ āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ āĻĻā§‚āϰ āĻ•āϰ⧇āύ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāĨ¤ āϏ⧂āĻ°ā§āϝ⧇āϰ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧇ āĻĻ⧇āĻŦā§€ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāϰ āĻŦāĻžāϏ āĨ¤ āϏ⧂āĻ°ā§āϝ⧇āϰ āĻĒā§āϰāϚāĻŖā§āĻĄ āĻļāĻ•ā§āϤāĻŋ āĻ—ā§‹āϟāĻž āϜāĻ—ā§Ž – āĻ āĻ›āĻĄāĻŧāĻŋā§Ÿā§‡ āĻĻ⧇āύ āĻĻ⧇āĻŦā§€ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāĨ¤ āϝāĻžāĻŦāĻ¤ā§€ā§Ÿ āϰ⧋āĻ—āĻļā§‹āĻ• āĻ“ āĻĻ⧁āσāĻ– āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž āωāĻĒāĻļāĻŽ āĻ•āϰ⧇āύ āĻĻ⧇āĻŦā§€ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāĨ¤

 

āϏ⧂āĻ°ā§āϝ⧇āϰ āĻŽāϤ⧋āχ āĻĒā§āϰāϚāĻŖā§āĻĄ āϤ⧇āϜ āĻĻ⧇āĻŦā§€ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāϰāĨ¤ āϤāĻŋāύāĻŋ āϏāĻŋāĻ‚āĻšāĻŦāĻžāĻšāĻŋāύ⧀, āĻ…āĻ°ā§āĻĨāĻžāĻ¤ā§â€ āϏāĻŋāĻ‚āĻšā§‡āϰ āĻĒāĻŋāϠ⧇ āφāϰ⧋āĻšāĻŖ āĻ•āϰ⧇āύāĨ¤ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϰ, āϏ⧂āĻ°ā§āϝ, āϤāĻžāϰāĻž āĻāĻŦāĻ‚ āύāĻ•ā§āώāĻ¤ā§āϰāĻŽāĻŖā§āĻĄāϞ⧀āϰ āϏ⧃āĻˇā§āϟāĻŋ āĻ•āϰ⧇āϛ⧇āύ āĻĻ⧇āĻŦā§€ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāĨ¤ āϤāĻžāϰāĻĒāϰ āϤāĻŋāύāĻŋ āύāĻŋāĻœā§‡āχ āϏ⧂āĻ°ā§āϝ⧇āϰ āĻ—āĻšā§āĻŦāϰ⧇ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰ⧇āύāĨ¤ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻž āĻāχ āĻŦāĻŋāĻļā§āĻŦāĻŦā§āϰāĻšā§āĻŽāĻžāĻŖā§āĻĄā§‡āϰ āϝāĻžāĻŦāĻ¤ā§€ā§Ÿ āĻļāĻ•ā§āϤāĻŋāϰ āωāĻ¤ā§â€āϏāĨ¤ āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ āĻ“ āϏāĻžāĻšāϏ⧇āϰ āĻĒā§āϰāϤ⧀āĻ• āĻšāϞ⧇āύ āχāύāĻŋāĨ¤ āϤāĻžāϰ āĻšāĻžāϏāĻŋ āĻĨ⧇āϕ⧇āχ āύāĻŋāĻ°ā§āĻ—āϤ āĻšā§Ÿ āĻ¸ā§āĻŦāĻ°ā§āĻ—ā§€ā§Ÿ āĻĒā§āϰāĻ­āĻž āĻ“ āĻļāĻ•ā§āϤāĻŋāĨ¤ āĻāχ āĻĻāĻŋāύ āϘāύ āύ⧀āϞ āϰāϙ⧇āϰ āĻĒā§‹āĻļāĻžāĻ• āĻĒāϰāĻŋāϧāĻžāύ āĻ•āϰāϤ⧇ āĻšāϝāĻŧāĨ¤ āύāĻŦāϰāĻžāĻ¤ā§āϰāĻŋāϰ āϚāϤ⧁āĻ°ā§āĻĨ āϰāĻžāϤ⧇ āϘāύ āύ⧀āϞ āϰāϙ⧇āϰ āĻĒā§‹āĻļāĻžāĻ• āĻĒāϰāĻž āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻžāϰ āφāϰāĻžāϧāύāĻž āĻ•āϰāĻžāϰ āϏāĻŽāĻžāύ āĻŦāϞ⧇ āĻŽāĻžāĻ¨ā§āϝāϤāĻž āφāϛ⧇ āĨ¤

 

āϤāĻžāĻ›āĻžāĻĄāĻŧāĻž āĻĒā§‚āϜāĻž āĻ•āϰāϤ⧇ āϕ⧁āĻŽāĻĄāĻŧā§‹ āĻŦāϞāĻŋ āĻĒā§āϰāϝāĻŧā§‹āϜāύ āĻšāϝāĻŧ, āĻāχ āĻ•āĻžāϰāϪ⧇ āĻ­āĻ•ā§āϤāĻ—āĻŖ āĻĻ⧇āĻŦā§€āϕ⧇ āϕ⧁āĻˇā§āĻŽāĻžāĻŖā§āĻĄāĻž āĻŦāϞ⧇ āĻĄāĻžāϕ⧇āύāĨ¤

 

āĻĻ⧇āĻŦā§€āϰ āĻŽā§āĻ–āĻŽāĻŖā§āĻĄāϞ āϏ⧂āĻ°ā§āϝāϏāĻŽ āĻĻā§€āĻĒā§āϤāĻŋāĻŽāĻžāύāĨ¤ āφāĻĻā§āϝāĻžāĻĒāĻžāĻ°ā§āĻŦāϤ⧀āϰ āĻāĻ•āϟāĻŋ āϰ⧂āĻĒ āĻšāϞ⧇āĻ“ āĻāχ āĻĻ⧇āĻŦā§€āϰ āφāϟāϟāĻŋ āĻšāĻ¸ā§āϤ āĻŦāĻ°ā§āϤāĻŽāĻžāύ āĨ¤ āϤāĻŋāύāĻŋ āφāϟ āĻšāĻ¸ā§āϤ⧇ āĻšāĻžāϤ⧇ āϝāĻĨāĻžāĻ•ā§āϰāĻŽā§‡ āϚāĻ•ā§āϰ, āĻ—āĻĻāĻž, āϤāĻŋāϰ, āϧāύ⧁āĻ•, āϜāĻĒāĻŽāĻžāϞāĻž, āĻļāϤāĻĻāϞ, āĻāĻ•āϟāĻŋ āĻ…āĻŽā§‹āϘ āĻ•āϞāϏ āĻ“ āĻāĻ•āϟāĻŋ āĻ•āĻŽāĻŖā§āĻĄāϞ⧁ āϧāĻžāϰāĻŖ āĻ•āϰ⧇āύāĨ¤ āĻĻ⧇āĻŦā§€ āϤāĻžāϰ āĻŦāĻžāĻšāύ āĻšāĻŋāϏ⧇āĻŦ⧇ āϏāĻŋāĻ‚āĻšā§‡āϰ āωāĻĒāϰ⧇ āĻ¸ā§āĻĨāĻŋāϤāĻžāĨ¤

āύāĻŽāσ āĻļāĻŋāĻŦāĻžāϝāĻŧ⧈ 🙏đŸŒē

PUBLISHED BY SHRUTI ADHYA KUNDU MARKETTING OFFICER OF SYCN.

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đŸŒēMaa Bagalamukhi đŸŒē

BagalāmukhÄĢ in Vedas

BagalāmukhÄĢ is one among the Dasha Mahavidya Goddesses, she is the bramhāstra vidya, whose mighty power is invoked to annihilate evil within one’s self and also to receive divine protection from external negative influences upon one’s life. Her association with the occult mentioned in tantras such as the kāmadhenu tantra and others, have popularized her as a tantric deity. Apart from Tantras, there are also mentions of Devi in various Vedic Samhitas. The Sukla Yajurveda mentions BagalāmukhÄĢ as Vagala, the Stambhana Shakti invoked by gods to vanquish evil.The shlokas mentioned here are from kāᚭhaka Samhita of Káš›ášŖáš‡a Yajurveda, which describes Devi’s staᚃbhana/control & paralyzing power as viášŖáš­ambha, through which she controls all minds.

ā¤ĩā¤ŋā¤°ā¤žā¤ĄāĨ ā¤Ļā¤ŋā¤ļā¤ž ā¤ĩā¤ŋ⤎āĨā¤ŖāĨ ā¤Ē⤤āĨā¤¨āĨā¤¯ā¤˜āĨ‹ā¤°ā¤žā¤¸āĨā¤¯āĨ‡ā¤ļā¤žā¤¨ā¤ž ā¤¸ā¤šā¤¸āĨ‹ ā¤¯ā¤ž ā¤Žā¤¨āĨ‹ā¤¤ā¤ž l
ā¤ĩā¤ŋā¤ļāĨā¤ĩ ā¤ĩāĨā¤¯ā¤šā¤ž ⤇⤎āĨā¤¯ā¤¨āĨā¤¤āĨ€ ⤏āĨā¤­āĨ‚ā¤¤ā¤ž ā¤ļā¤ŋā¤ĩāĨ‹ ⤍āĨ‹ ⤅⤏āĨā¤¤āĨ ⤅ā¤Ļā¤ŋ⤤ā¤ŋ⤰āĨā¤Ē⤏āĨā¤ĨāĨ‡ ll
ā¤ĩā¤ŋ⤎āĨā¤Ÿā¤ŽāĨā¤­āĨ‹ ā¤Ļā¤ŋā¤ĩāĨ‹ ⤧⤰āĨā¤Ŗā¤ƒ ā¤ĒāĨƒā¤Ĩā¤ŋā¤ĩāĨā¤¯ā¤ž ⤅⤏āĨā¤¯āĨ‡ā¤ļā¤žā¤¨ā¤ž ā¤¸ā¤šā¤¸āĨ‹ ā¤ĩā¤ŋ⤎āĨā¤ŖāĨā¤Ē⤤āĨā¤¨āĨ€ l
ā¤ĩāĨƒā¤šā¤¸āĨā¤Ē⤤ā¤ŋ ā¤Žā¤žā¤°āĨā¤¤ā¤žā¤° ā¤ļāĨā¤ĩāĨ‹ā¤¤āĨ ā¤ĩā¤žā¤¯āĨā¤¸ā¤‚⤧āĨā¤ĩā¤žā¤¨ā¤ž ā¤ĩā¤žā¤¤ā¤ž ⤅⤭ā¤ŋ⤤āĨ‹ ⤗āĨƒā¤Ŗā¤¨āĨā¤¤āĨ l

virāḍ diśā viášŖáš‡u patnyaghōrāsyēśānā sahasō yā manōtā l
viśva vyacā iášŖyantÄĢ subhÅĢtā śivō nō astu aditirupasthē ll
viášŖáš­ambhō divō dharuṇaá¸Ĩ prĖĨthivyā asyēśānā sahasō viášŖáš‡upatnÄĢ l
vrĖĨhaspati mārtāra śvōt vāyusaᚁdhvānā vātā abhitō grĖĨṇantu l

“The one who illuminates all ten-directions, whose beauty remains unmatched, the embodiment of Vishnu’s spouse. The Ishvari, empress of all realms/lokas, as she holds the greatest strength in this creation known as manōtā. Manōtā is the one who controls the manastatvam, the mind and Vaak, the speech of the celestial deities. As viśva vyacā, she illuminates all-stars in constellations, thus lighting this universe. As iášŖyantÄĢ, she lives in all beings as the icchā śakti, the power of desire. SubhÅĢtā, through her blissful erotic desire, manifests in different forms of life. My prayers to that lady śivā The Mother of gods, Aditi who constantly stays close to her devotees. She is the viášŖáš­ambha/staᚃbhana power that controls and paralyzes all lokas upon her command. The ruler of all mortals, the spouse of viášŖáš‡u, vrĖĨhaspati and vāyu are whose forms, the creator of speech. As vātā, she stabilizes DoášŖas in the body caused by air element or vāyu, my obeisance to that Goddess who grants both bhukti(enjoyments) and Mukti(liberation) as boons.”

~kāᚭhaka Samhita, káš›ášŖáš‡a Yajurveda

She is the creator of Vaak or speech, she controls and paralyzes contaminated speech, as she reminds her devotees to always make auspicious utterances, as karma gathered through misuse of speech burdens that jiva’s life.Her bewitching beauty is described as superior in all lokas, as viśva vyacā she is the illuminator of all cosmos. She is also mentioned as Mahalakshmi and Vaishnavi as per both Sukla Yajurveda and Káš›ášŖáš‡a Yajurveda.The svatantra tantra described her as the manifestation of Lalita Maha Tripurasundari, which makes her one of the prominent deities in Sri Kula, who grants both Bhoga (material blessings) and Moksha (liberation) to her bhaktas.

May the blessings of Ma BagalāmukhÄĢ grant us victory over those inner enemies which obstructs our growth and spiritual transformation.

✓✓collected from different sources

PUBLISHED BY SHRUTI ADHYA KUNDU MARKETTING OFFICER OF SYCN.

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đŸŒēSupremacy of KaliđŸŒē

Supremacy of Kali

Kali is known as the dark energy, as she remains mysterious/unknown even to celestial deities. Unless there is light an ordinary human mind can’t perceive the intricacies related to that form in terms of its geometry, measurements, nature, influence and energy. With Kali, it’s just one enormous dark cosmic hallway where small temporary forms of light appear and dissolve simultaneously back into darkness. The light in the hallway is our finite reality. The physical life is born encapsulated with finite elements from stardust like carbon in DNA along with oxygen, iron, silicon etc. The finite life of your human body, just like those stars stays until the elemental composition runs out of fuel, and just like your body dies, once nuclear fusion stops even magnanimous stars become dwarfs and die. No matter what happens the climax of everything including the universe is always about the dissolution of all once illuminating matter back to darkness, it’s source.

Kali is referred to as the Universal Mother as she predates everything. She birthed everything, from sub-atomic particles, atoms, and neutrinos to microscopic entities to full-fledged flora and fauna. There is no end to her glory, and even with thousands and lakhs of lifetimes, it’s impossible to even for enlightened Siddhas, Yogis, Paramhamsas and Avadhutas to comprehend her mysticism completely.

In Saundarya Lahari, Adi Shankaracharya said it’s a spell that she casts upon the deities which makes Bramha believe he is the jagatsoota, the creator of the universe, Vishnu believes he is the avata, protector and Rudra believes he is the Kshapata, the destroyer. Under her spell, they forget that these three get absorbed again in Isha, the maheshvara from whom these presiding deities of Sattva, Rajas and Tamas have appeared. Isha again disappears back into Sadashiva, the primordial aspect of Shiva, who predates all sound reverberations in existence. This cycle of origin which begins from formless to form, multiplication of gunas, creation, birth, lifetime, death and merger all takes place through a single mandate from the Great Goddess herself. Shankara defined her action as a mere movement of her creeper like brows which is enough to make these deities perform actions on her command.

The Divine Mother need not speak, as even Sadashiva, the highest transcendental aspect of Shiva isn’t independent of her Maya and gets a command from her to perform as such. In her iconography as both Dakshina Kali, and Lalita Tripurasundari, she is seated in union with Sadashiva, who forms the bed of her throne, and the pedestals were formed by Bramha, Vishnu, Rudra and Ishvara/Isha. Shakti remains the dominant force who birthed all these subservient forces and elements which gave rise to existence. The Mastery upon Maya, the illusion of birth, death and materialism solely rests with Shakti herself who created Maya. The Release or Mukti from this illusion as well is bestowed by the Great Goddess Kali herself, from whom the illusion of light is born and dissolves back into her Darkness/ Unknown Transcendental Energy or Para Bramhan.

✓(collected) published by Shruti Adhya Kundu marketing officer of SYCN